The simple understanding of the title of this series will give japanophones ahead to understand that the theme of this drama is not about violence exacerbated in rural urban. Although? The series rose water, without bad pun, often based on characters in them for their share of suffering.
In this case, nai Hanaya Bara no we propose to follow the story of a father and daughter living modestly trade flowers. The first meeting, Shiomi Eiji (Shingo Katori), a lovely blind, Shirato Mio (Yuko Takeuchi), is the beginning of a chain reaction where love, friendship and affection implacably opposed to the mechanics of a terrible conspiracy. Expressed thus, allergic editions Harlequin flee without further their interests. And they are wrong. For this drama does not lack qualities, starting with its soothing ambience, almost bucolic, serving as the backdrop for many twists that keep the series to drag on an alarming rate. Note indeed that, despite a frame whose elements seem more mundane, the script itself surprisingly well hung viewers Amateur bit of romance I am. Most, however, rests primarily on the wealth of a cast of high quality.
In this case, nai Hanaya Bara no we propose to follow the story of a father and daughter living modestly trade flowers. The first meeting, Shiomi Eiji (Shingo Katori), a lovely blind, Shirato Mio (Yuko Takeuchi), is the beginning of a chain reaction where love, friendship and affection implacably opposed to the mechanics of a terrible conspiracy. Expressed thus, allergic editions Harlequin flee without further their interests. And they are wrong. For this drama does not lack qualities, starting with its soothing ambience, almost bucolic, serving as the backdrop for many twists that keep the series to drag on an alarming rate. Note indeed that, despite a frame whose elements seem more mundane, the script itself surprisingly well hung viewers Amateur bit of romance I am. Most, however, rests primarily on the wealth of a cast of high quality.
At any lord, all honor, Shingo Katori florist played by, probably not the best actor but CASS headlining this series, deserves attention . Shiomi Eiji is a typical example of an introvert at heart generous character. Too introverted and too generous, in fact, to the point that his unselfishness, his sense of guilt and self-giving almost would call into question its credibility. Is it really by world beings as selfless, compassionate, generous, capable of undergoing the worst blows and insults without ever rebelling? This excess in the kindness would end up spending almost a passive attitude to fate, although apparently more prevalent in Asian societies and Western, but specific to infuriate viewers. You almost expect to see "O Hanaya-san " finish nailed to a cross planted on Mount Fuji. Yuko Takeuchi (seen especially in Pride ), meanwhile, carries a supply of high fly into the skin of a character with many facets. The fragility of his condition d'aveugle est particulièrement perceptible, mais son rôle déborde heureusement de ce cadre pour offrir une panoplie plus complète à son caractère. Toute une galerie de personnages secondaires fort bien joués vient enrichir l'univers de cette série, de la jolie maîtresse d'école (Shaku Yumiko) au jeune dilettante (Matsuda Shota), en passant par un père torturé (Miura Tomokazu) et une grand-mère de substitution (Ikeuchi Junko), sans oublier l'ami fidèle et de bon conseil (Terajima Susumu). A leurs mesures, tous sont touchants dans l'expression de leurs sentiments, ceux-ci s'exprimant notamment en réaction et à l'aune des actes du personnage principal. 
And then there's Yuki Yagi on which I would submit the following theory. One day, Japanese scientists have succeeded in synthesizing the concept, now spread to the West, the "Kawaii " and give it flesh. The results of their experiments is called Yuki Yagi, the ultimate weapon of mignonitude. I'm relatively indifferent to gagatisation which affects people of my generation vis-à-vis children, I must admit it is hard not to melt the small Shizuku, especially since the writers taken care to make a character with a real character and bringing real value to the series. In the end, how to judge nai Hanaya Bara no between a storyline but not credible and a cast led by a talented but unlikely Christ figure? To resolve this contradiction, I think we should give this series its character of fiction. It is neither more nor less than a fable, intended to affect us, for which this drama is perfectly armed, and even make us think. On this last point, the blows of fate and choice of subsequent Shiomi Eiji we are indeed facing ourselves, our small and cowardice sacrifice, these half-truths we tell ourselves sometimes. Of course we're not as good, pure and generous him! The would we be that this world will not spare us. So we protect ourselves by keeping our hearts away: do not take the risk of suffering! Yet - who knows? - If we had a little bit less afraid of thorns ... Maybe?
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7 / 10: At least worth checking out.
nai Hanaya Bara No Subs With Français
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