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Kaze no Garden

End.

Start a chronic this term might seem paradoxical. Yet that is what is at stake in Kaze no Garden : when the end comes, what are we left to be done? What can or should be our last words, our past actions?

Sadam Shiratori (Kiichi Nakai), anesthesiologist deemed discovers a cancer cure. Seven years earlier, her infidelity he lost his wife and two children and led to his being banished by his own father. Upon hearing the news of his illness, Saddam sees himself irresistibly impelled by the desire to see his family, as a return to basics after a life full of lightness. Although discreet about his condition, colleagues, friends, lovers are quick to rush around him, but none are able to offer Saddam what he wants in the twilight of his life. And besides, what is it: comfort, redemption, absolution? Without doubt, deep in his heart, he hopes some of that, but it needs to find his family seem to touch to something more primal. All constructs a life, professional or personal, with a radicalism fade before striking the irrepressible desire to live these moments, so precious because they are last, with his flesh and blood, it was even without their knowledge. This sentiment is beautifully distilled viewers, with this mixture of finesse and determination to own (good) drama.

is also one of the qualities of this series, touching but not maudlin, to know his subject with a restraint never faulted. One might be shocked at the lack of emphasis à la douleur liée à un cancer en phase terminale, qui se trouve plus souvent évoquée que réellement montrée. On évite cependant ici l'écueil d'un voyeurisme malsain pour se concentrer sur les réflexions évoquées plus haut : d'un passé infâmant à la privation brutale de son avenir, que reste-il à Shiratori Sadami ? Parce qu'il atteint le terme de sa vie, le personnage principal se trouve mis à nu et obligé de s'interroger sur ce qui importe fondamentalement dans une existence. C'est sa réponse à ce questionnement qu'il fait partager intimement aux téléspectateurs.

Kaze no Garden ne se veut pas un documentaire the end of life, but a family drama and an object of reflection on our achievements and our values in relation to our own mortality. This invitation to take the time to pause and reflect on ourselves is even more persuasive than this drama is set in a beautiful and soothing. Far from sinking into a gloomy and morbid atmosphere, this drama refers instead to a delightful rustic, dotted with scenes of great beauty. Furthermore, I will limit my criticism about the slow pace of this series, punctuated by moments but never faced a peaceful journey voluntarily. There is an obvious paradox to give du temps pour raconter l'histoire d'un homme auquel il en reste si peu.

Parlant de cet homme, il faut noter la très bonne prestation de Nakai Kiichi pour tenir ce rôle de séducteur vieillissant, d'un courage discret et d'une détermination seulement freinée par la honte de ses actes passés. Ogata Ken (Shiratori Keizo), dont ce fut le dernier rôle avant de décéder lui-même d'un cancer 4 jours avant la diffusion de Kaze no Garden , incarne avec une grande délicatesse ce grand-père dévoué et compatissant, obligé à une fermeté qui ne demande qu'à s'effacer devant l'amour et le pardon pour son fils prodigue. Kuroki Meisa (Shiratori Rui), meanwhile, continues its progress towards a quality of interpretation that should see it becoming an actress whose physique does not outweigh talent. Finally, we must acknowledge the superb performance of Ryunosuke Kamiki (Shiratori Gaku) that embodies a truth confusing a young boy with a mild autism.

Clearly Kaze no Garden belongs to what, to my taste, is better as a drama series, especially for intelligence and authenticity of his story and the modesty of his salary. As an opportunity to drink our thinking at the source of our emotions ...


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8/10 : Somehow I really enjoyed that one. Personal fave.



The complete details about Kaze no Garden on drama-wiki
Kaze no Garden with English Subs

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TEXT OF APPEAL to the Regional Coordination of inter-professional meetings

The time of defeat will not ring. Ties, solidarity and forms of struggle practiced the past two weeks désencombrent horizon. Limitations and hesitations that we encountered we do not amputate. Instead, they just feed our experiences and a common history. Today, how to continue the strike? What rhythms are taking us for not running out in a few days? What may strike those who do not even possible? What targets envisaged? What coordination is can we build?

For all these questions, we call for a coordinated and professional régionaleinter dimanche 7 novembre, à partir de 10h30. Cette invitation s'adresse à tous ceux – syndiqués ou non syndiqués, salariés,chômeurs, lycéens, etc. - qui veulent penser ensemble comment continuer la grève.


Jusqu'au début du mouvement contre la réforme des retraites, un sentiment général d'impuissance n'a pas cessé d'accompagner les dernières grèves. Rien d'étonnant quand les dispositifs législatifs (service minimum, préavis de grève obligatoire, etc;) et la frilosité des bureaucraties syndicales s'accordent pour vider la grève de sa portée conflictuelle, de son caractère d'arrêt de la production, pour n'en forms that retain ymbolique.
past two weeks, something has changed. This feeling of powerlessness has now ceased. The anti-CPE movement of 2006 had broadcast the slogan of "blocking the flow," the general strike of 2008 in Guadeloupe was performed across an entire island. And today, blocking spreads like a minimal way to fight the strike its power and effectiveness: the suspension, discontinuation of the economic machine. In addition to blocking
practices almost forgotten. While capitalism is deprived of all forms of solidarity and collective organizations, we isolated a management of the crisis still more draconian, the strike was an opportunity of joint acts. This inter-professional meetings to share - beyond corporatism and socio-professional identities - our analysis of the situation and coordinate our actions, cases of strikes to help each other financially, canteens strikers fired by peasants in struggle, the occupation of empty buildings to fill the strike of a joint House and imagine therefore how to prolong the strike.

The strike arose from the challenge of pension reform and announced a series of other (Security Reform social, unemployment, etc.). that will make our lives an austerity plan. In the demonstrations in front of the picket lines, the blocking actions, many wondered if we let economic rationality grind our growing conditions.

Yet none of this could not prevent the resumption of work. On the one hand, the unions have refused to pay the balance of power by calling for national days of action far between. In another, a feeling of exhaustion to win the strikers confronted with attempts media, political and police put the country on. Logical attempts when which broke out in the eyes of all the evidence is that the knowledge and skills to stop the real economy are in the hands of the strikers.
refineries were able to set the tone. Now we know that the sinews of war is at the location of logistics infrastructure and economic flows that feed the country. At a time when the crisis is still used to make us more productive, a strength of this strike is to experience our shared knowledge that collectively give us the opportunity to stop everything.
What we create for two weeks - the links, solidarity, the forms of struggle are not to leave à eux-mêmes sous prétexte d'un retour au travail. Puisqu'ils sont la matière de nos victoires à venir. S'en ressaisir et les faire grandir s'imposent à quiconque croit et veut imaginer d'autres possibilités que cette réalité capitaliste.

A Rennes, c'est dans cette perspective que nous occupons la Maison de la Grève. Ces deux dernières semaines nous ont inscrit dans un processus qui ne cesse pas aux premiers signes d'essoufflement. Si nous étendons et densifions ce qui est né depuis le début de cette grève, nous n'aurons pas à attendre la prochaine réforme pour tout recommencer. Au contraire, nous pouvons être en mesure de décider de nos propre rythmes, de choose when and how to continue the offensive.

Following the various meetings of inter-professional Rennes, three points for consideration are proposed to provide opportunities for common struggles:
1 / We should investigate to establish a flow mapping, business sectors and key economic Rennes . These technical knowledge give us the means to effectively block. This dynamic could be replicated in every city and allow us to coordinate actions between several cities.
2 / Do not stop effective means to direct the practice of solidarity that have begun to implement. Sustaining funds de grève, l'approvisionnement pour les cantines de grévistes et réfléchir aux autres structures dont nous aurions besoin pour faire durer la grève. Ce processus n'est possible que si nous nous attachons à multiplier les complicités entre personnes de divers secteurs et si nous recherchons ensemble comment peuvent faire grève ceux qui n'en ont pas la possibilité directe (des pistes commencent à fleurirent : techniques de coulage, grèves tournantes au sein d'une même boîte, blocages tournants grâce aux
coordinations avec d'autres secteurs, etc. ).
3/ La Maison de la Grève est un outil pour se doter d'un imaginaire commun. Nous entendons pas là des moments de débats, films, seminars to discuss what we want to invent other horizons and other ways of living more desirable. At the home of the strike and in other places in France of new organizational forms and practices are experienced. Give them the consistency and the spread is an indispensable weapon for a body check and practice power politics.

-The meeting of Inter-professional Rennes

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Tatta Hitotsu no Koi

Loin de leur objectif initial, certaines séries prêtent inévitablement à rire par leur scenario, le jeu des acteurs ou leur réalisation, voire l'ensemble. Tatta Hitotsu no Koi , censé installer Kamenashi Kazuya au firmament des acteurs romantiques, s'impose comme une référence en la matière.

Il est vrai que les romances are not necessarily my favorite genre, but the previous reviews show, I think, my openness to all styles as long as they are well led. There is nothing in this drama tote that aligns each episode the most grotesque stereotypes. As a backdrop, this series tells the romance, not necessarily between a young worker, Hiroto Kanzaki (Kazuya Kamenashi) and the heiress of a great jeweler, Tsukioka Nao (Haruka Ayase). The tone is set from the first episode where Hiroto and Nao fall in a pool together, eye to eye, the scene we are ironed at idle and at all angles for minutes, " I watched you watching me, it was like . The series starts on a flying!

"Hi, This is the casting for a play worker in a shipyard?"

course, the boy has no father, the ship repair company he inherited is drowning in debt, his cantankerous mother and an alcoholic and the table would not be complete without a little brother ill and wheelchair. See Kame-chan, androgynous and loyal customer of plastic surgeons, a proletarian play Blue Force is already a brutal blow to the credibility of the series. In contrast, his female alter ego reflects an innocence, a naivety and an innocence that would be pathetic if they did not lead to questions about his IQ. To my knowledge, a young woman of 20 years for her first appointment, would like to see shooting stars disguised as a witch for Halloween, this is unprecedented, even a little scary. Naturally, her family environment is strongly opposed to this relationship, which is not without tears, tantrums and sulks.


Each episode his shot then. Nao side, a father who offers money for Hiroto ceases to attend his daughter, who then arranges an engagement with one of his subordinates, the protective big brother ready to resort to physical violence to deter the sigh poor, etc.. Hiroto on the side of the palette is rich enough: employees who leave with the cash, scenes of humiliation to keep customers intractable, an unfit mother who will beg for money to the family in exchange for Nao a reputation protected, of course, old friends Hiroto considering the kidnapping of his beautiful cons ransom. I forgot: the little brother ill suffer from a severe relapse. What bad luck! If anything is missing in this list, blame my memory and do not worry, it appears necessarily Tatta Hitotsu no Koi . Only the end has a small ounce of originality, which added to my incredulous laughter, drama that avoids a zero dot.

One wonders how Eriko Kitagawa, author of romantic dramas as fair and touching that Long Vacation, Beautiful Life , Sora Kara Furu Hoshi No Ichioku or Orange Days, was able to miss this point by simply stacking roughly commonplaces novels in rose water. Marshmallow lovers may appreciate, the other will merely laugh or run away.


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3 / 10: Try it if you're a masochist.




Official Site The complete details for Tatta Hitotsu no Koi is drama-wiki
Tatta Hitotsu no Koi With Subs Français