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Yasuko to Kenji

The extraordinary vitality of the production dramas inevitably raises the problem of the quality thereof. For the viewer non-Japanese speakers, a first skimming is done by teams of fansubs that usually do not linger on a series of mediocre quality. However, this work being done by fans, some choices are primarily from the presence of a particular television star in Japan. And dramas in which the Johnnies turn benefit from maximum exposure, consistently unrelated to their intrinsic quality. As well as concern from a manga series. Yasuko to Kenji proceeds from this dual sponsorship for a result after all, very mixed.

approached from a decidedly comic romance between two former heads nostradamus (Oki Kenji Tsubaki & Erika) on one hand and their little brother (Tsubaki Jun) and sister (Oki Yasuko) respective second, ready parfois à rire. On s’amuse notamment des mimiques d’Oki Kenji (Matsuoka Masahiro), grand frère surprotecteur, ex-motard, reconverti secrètement dans l’écriture de shoujo : à croire que les membres du groupe TOKIO (dont fait partie l’hilarant Nagase Tomoya, vu dans My Boss My Hero ) ont été sélectionnés pour leur capacité à pasticher les yakuza et voyous en tout genre. A l’opposé, Okura Tadayoshi, dans le rôle de Tsubaki Jun, se révèle stupéfiant d’inanité : ce n’est pas le premier Johnnies à être d’une inexpressivité affligeante devant une caméra, mais il s’empare haut la hand in the first place.

The problem with this series is that you quickly get tired of the repetitiveness of the episodes always built the same way: either the characters have problems, is kidnapped by a group of evil that drags in a warehouse (still the same ...) and was issued after a part of tamper pif, by Kenji invincible. Suffice to say that after the tenth episode, although some scenes on the smile, one can not help but heave a sigh of relief see the end of this series. And we also ask that qu'Hirosue Ryoko (Tsubaki Erika), multi-awarded actress, came to do in this farce ...

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5 / 10: Not bad, but not good Either. Uneven.

Official Site The complete details for Yasuko to Kenji is drama-wiki Yasuko to Kenji
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Off Balance Waking Up

Pride

Before going to the review of this series, I must make a confession: I'm a fan of Kimura Takuya. Some criticize him always playing on the same fiber, that of the handsome tough but sensitive, mysterious, modest, generous, faithful in love as in friendship, in short, the ideal man, which can prove one thing: ignorance his filmography. However, with regard to Pride, it is obvious that we are dealing with a KimuTaku as fantasized by his admirers as by his opponents.

Satonaka Halu (Kimura Takuya) is the captain and star of his team Ice Hockey, an ardent disciple of his coach, Anzai (Saburo Tokito), and adored by his teammates. Anzai has dedicated his life to his star player but is dying of an incurable disease. His last words were to encourage Halu to concentrate solely on his career in the making, even putting aside anything that might distract including sentimental issues. Murase Aki (Takeuchi Yuko) is a pretty office lady, resolutely traditionalist values, waiting patiently for two years for news of her fiance went to Canada. Ideal for a solitary Halu convinces the young woman to enter into a strange pact They "come out" together until one or the other decides to stop it, because of the reunion with his lost love one or the other for starting the Northern League American Hockey League. Obviously, such a synopsis is not particularly alluring, especially when you are allergic to melodramas.

However, Pride no lack of qualifications. My little knowledge of the sporting world are necessarily nurtured my interest in the issue of sacrifices to be made when one wishes to become a professional athlete: how far should we give up tout ce qui fait le sel d’une vie pour atteindre ses objectifs ? Quelles sont les responsabilités à assumer lorsqu’on est une star montrée en exemple à ses coéquipiers ? De même, j’ai été sensible aux valeurs véhiculées par les sports collectifs : travail, solidarité, fidélité… Les matchs de hockey en eux-mêmes sont bien rendus et agréables à suivre, même pour un non-fan. Par delà le thème du sport, se pose également une double problématique intéressante : comment construire une relation quand elle est supposée à la base même ne pas être durable, mais aussi comment peut-il être possible de renoncer à it really exists when love between the protagonists? "One does not trifle with love" said his time in Alfred de Musset.


Supported by a cast effective although very traditional, the faithful friend (Kenji Sakaguchi) service to the comic (Ryuta Sato), Pride is a drama that follows with pleasure even if we regret a relatively low final . And then ... Takuya Kimura ago.


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7 / 10: At least worth checking out.



Official Site The complete details for Pride is drama-wiki
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Suna no Utsuwa

If the exercise of giving a note to ask a series of limitations necessarily to everyone's taste, it is particularly difficult in the If Suna no Utsuwa . A final that lets you live in the heart allows it to set aside a series of episodes where boredom has sometimes want to give up? Even more than usual, I must here abandon all claims to an objective assessment.

Waga Eiryo (Nakai Masahiro) est un compositeur en pleine ascension. Parrainé par un homme politique influent dont il doit épouser la fille, il se voit interpelé à la sortie d’un concert par un vieillard qui reconnaît en lui un certain « Hideo ». Saisi d’une émotion intense, l’artiste assassine sauvagement l’intrus mais croise dans sa fuite une comédienne du nom de Naruse Asami. La découverte du cadavre défiguré initie une longue et difficile enquête confiée aux inspecteurs Imanishi (Watanabe Ken) et Yoshimura (Nagai Masaru). Plusieurs histoires se déroulent alors en parallèle au fil des épisodes et permettent de découvrir petit à petit les personnages, leurs caractères et leurs cracks. From a screenplay, it is far from the American series where evidence and criminals seem to be discovered in a jiffy by police, which is probably more credible but gives Suna no Utsuwa a slow pace sometimes unbearable. Similarly, the script, it returns regularly to the past through flashbacks Waga, does not track book to explain the reasons for the murder. Admittedly, this term allows viewers to deliver an amazing final, but we must have faith in it to support certain lengths.

Unaware that Finally, what were the reasons I follow this series? First, of course, the characters, major and minor, brought by talented actors, including the excellent Ken Watanabe, whose ability to puncture the screen can not be denied. It should add a dark atmosphere, particularly well rendered, led by a superb music. Another detail not least, the peregrinations of young Hideo and his father throughout Japan are an opportunity to see a landscape of breathtaking beauty: what do we see most often in Japan this angle!

Having déjà plusieurs fois évoquée, je ne peux cependant m’empêcher de dire à nouveau un mot sur la fin de cette série, bien évidemment sans en livrer le contenu. Dévoilant enfin les motivations de l’acte infâme de Waga, elle laisse le spectateur choqué, effrayé, pantelant, ému… Certainement la meilleure conclusion scénaristique qu’il m’ait été donnée de voir dans un drama, à hauteur de celle de Sora Kara Furu Ichioku no Hoshi. Elle vaut assurément l’effort de suivre les épisodes qui la précèdent.

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7 / 10: At least worth checking out.

Official Site

The complete details for Suna no one Utsuwa drama-wiki

Suna no Utsuwa (VO) With Français subs

Should I Have Cm 2 Days Before Period

"Touching. The main actor is beautiful and disturbing."
(2X No. 102)











EXCERPT FROM FILM "FROM" REMI LANGE

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Karim, a young Tunisian, 22, leaves for the first time his country to turn in new film Rose Blanchard, a director "underground" whom he met in Tunis a few months ago. Arriving in Paris, Karim finds himself seul à l'aéroport : Rose, trop occupée, n'est pas là pour le recevoir. Karim est alors accueilli par Rémi, un ami de Rose qui est compositeur.

Malgré de graves problèmes financiers, le tournage commence.

Karim est éperdument amoureux de Rose, bien qu'il sache que celle-ci a une liaison avec Paul Marais, un écrivain célèbre. Rose, absorbée par le tournage de son film, ne se rend compte de rien. Peu à peu, Rémi devient le confident de Karim...

Karim, a 22 year old Tunisian, leaves his country for the first time to act in a new film by Rose Blanchard, an “underground” director he met in Tunis a few months before. In Paris, Karim finds himself alone at the airport: Rose was busy and could not be there to meet him. Karim is then welcomed by Rémi, a composer and a friend of Rose.

Despite severe financial problems, the film shoot begins.

Karim is head over heels in love with Rose, even though he knows that she is in a relationship with a famous writer, Paul Marais. Rose, who is engrossed in her film shoot, does not realize what is going on. Little by little, Remi becomes Karim’s confidant…


DVD EN VENTE SUR PRICEMINISTER
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Les films de l’ange présentent/present “Partir”

a film / a film by Remi Lange

with / starring Sophie Blondy, Jean-Jacques Debout, Rémi Lange, Paulette Blondy, Xavier Sentenac, Mickaël Olivier.

Sound Design by Olivier Rodriguez.

Photography, sound, editing by Remi Lange.

Script Remi Lange.

Original music / original music score Philip Mendelsohn.

Running / Running time: 1 hour 14

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"Touching. The main actor is beautiful and disturbing."
(2X No. 102)

"A film by Remi Lange is always an event in the middle of auteur cinema. With" Go "which follows" Devotee ", it addresses the problem of uprooting between Tunisia and France, and unrequited love ... The film begins with a quote from "Go Anyway" by Françoise Hardy, and now we can think that the soul of the feelings will go through the film. But love is really love ? The main actor (the "Karim" film), the sensual charm, radiates a very gentle, sometimes covered by a fit of violence, giving a manly strength to her character. After avoir vu Guillaume Quashie-Vauclin dans Devotee, et rencontré, on se dit que Rémi Lange sait choisir ses acteurs, donc chacun a une beauté rayonnante. Sophie Blondy au style un peu titi parisien se bagarre comme elle peut face aux problèmes de son film, sans voir ce qu’elle fait comme dégâts autour d’elle. Jean-Jacques Debout, personnage lunaire traverse le film sur la pointe des pieds, avec son aspect jovial et bon enfant. Un coup de cœur à Paulette Blondy qui joue le rôle de la mère de la réalisatrice et qui est d’un naturel parfait. Voilà un film qui aborde le milieu du cinéma et de l’errance où le langage pénalise le héros pour exprimer réellement ce qu’il feels. A Rémi Lange once again has found a subject rarely addressed in film. "( http://www.paperblog.fr/2410104/partir-de-remi-lange-avec-karim-azur-et-jean -Jacques-standing / )
























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LISTEN TO THE OPENING SONG COMPOSED BY END PHILIPPE MENDELSOHN AND INTERPRETED BY REMI LANGE



HEAR ANOTHER SONG OF FILM "IF YOU WERE INCLUDED", arranged by PHILIPPE MENDELSOHN AND INTERPRETED BY REMI LANGE